First, the very fine polyester canvas (4 to 6 coats of sanded gesso) is stretched on a stretcher frame.
The still life is meticulously drawn after studying it on tracing paper, as cleanly as possible. Indeed, my glazing technique on white sometimes shows the pencil underneath if it's too dark, and then one is forced to paint thickly, which harms good preservation. I emphasize drawing; it is very important to be able to draw very well, to practice drawing just as musicians practice scales every day. It is the basis for training the eye, understanding proportions, and composition. It is essential!
Apply Lascaux fixative spray, dry overnight, light sanding with ultra-fine sandpaper.
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